Hello Bookworms!
So, a friend of mine actually requested that I do another writing block corner, so here I am! Today I'm covering a little something I've learned about villains. This isn't applicable to everything, but it's something to keep in mind while writing whoever ends up being the antagonist of your story.
There's a saying: a hero is only as good as his villain is evil. I think I can expound upon that. Well-written antagonists tend to be almost a flipped-coin version of the protagonist. They have gone through similar experiences to that of the protagonist, or they have similar goals, or they care about people the same way. They have to relate to each other in such a way that makes you realize that the hero could very easily become the villain. If the hero had taken a different path, or if different people had been in his life, then he would have been just like the villain. Possibly worse. That's what makes it an interesting story: seeing the dynamic of what could have been, and what prevented it. Seeing how thin of a line there actually is between hero and villain. What makes an amazingly sympathetic villain however, is seeing that in the same circumstances, we ourselves as the audience could be just like the villain. But there's a fine line between making the circumstances understandable, and excusing them. Horrible actions are still horrible, you just have to know where the blame actually lies, and make sure the characters reflect that. Finally, some of your villains might be totally not understandable at all. There are some great, crazy villains who don't have any sympathy whatsoever. (Examples: Moriarty. Need I say more?) If you know what you're going for in a villain, great. Have fun writing your first draft. If you don't though, try looking at your hero. Find what makes him or her the hero. What if they didn't have that? What if they were almost exactly the same, but they didn't have that one thing? What would be different? Would they become something terrifying? Show the audience. And show yourself.
Ok, so was this helpful? Please let me know! And if you have any requests, please let me know! I actually have a few ideas, so we'll see how this goes!
Scribe ergo quae vidiste vivere!
Thursday, April 21, 2016
Monday, April 11, 2016
Writing block corner, cliches.
Hello Bookworms!
Ok, so a friend of mine recently started writing, and so I decided now would be a great time to share some of my 'gathered knowledge about writing'. I'm sure that to some of you this is all going to be stuff you already know, but to others this might prove really helpful. So, if you think your story has cliches, please read! And let me know if this was helpful!
Alright, so there are several things about writing cliches that should probably be mentioned. First: Cliches are Cliches for a reason! I know this might not make sense at first, but the reason something is a cliche is because it is so overused. The reason that it's overused? Because it's actually a really good plot point! But people have used it so much that it has become predictable. So, if you are going to write something cliche, just know that it's cliche going in. Don't expect to surprise your audience with it. You don't have to write something that the audience has never read, you don't even have to make them think that they've never read it before. Your job as the writer is simply to make them not care that they've heard it before because your work is so entertaining. I didn't come up with this myself. I got it from a fellow writer, who got it from someone else. I'm not that smart.
Secondly: if you can, point out the cliches. This can be expanded to an even better principle: have a mediator character. SO many movies and TV shows these days lose audiences because there's no one for the audience to truly relate to. No one is saying what the audience is saying, and they can't find someone who feels exactly what they feel. There's no emotional connection to these characters, and as such the audience has no reason to stick around. Now, pulling it back to what I was originally saying, have your mediator character point out the cliches. Yes, there is nothing wrong with using cliches. But if your audience can say mid-sentence: "That's such a cliche!" then you should probably have on of your characters be able to say it too. Unless it's a terribly stressful scene, but you have to be careful. If the audience knows where it's going, then their tension will already be decreased. It's a fine line, and I don't know everything there is to know about it.
Third, (and last): put your own twist on it. If you're writing a cliche, then you might end up boring yourself. Throw something random in that you didn't see coming. Remember: second drafts are when you go back through and make all the random, crazy out-of-nowhere stuff have some degree of foreshadowing. Have fun with it! Your audience your first time round is yourself. Remember: "The first draft is just you telling yourself the story." (Terry Prachett.) It's from a pin I found on Pinterest, I honestly have no idea who this person is. Still, it's a good thing to keep in mind. So, have fun writing!
Alright, would you as my audience like for me to write more advice based upon the advice of my fellow writers in my community and the limited experience I have? And if there's something else you would like for me to write about, please let me know!
Scribe ergo quae vidiste vivere!
Ok, so a friend of mine recently started writing, and so I decided now would be a great time to share some of my 'gathered knowledge about writing'. I'm sure that to some of you this is all going to be stuff you already know, but to others this might prove really helpful. So, if you think your story has cliches, please read! And let me know if this was helpful!
Alright, so there are several things about writing cliches that should probably be mentioned. First: Cliches are Cliches for a reason! I know this might not make sense at first, but the reason something is a cliche is because it is so overused. The reason that it's overused? Because it's actually a really good plot point! But people have used it so much that it has become predictable. So, if you are going to write something cliche, just know that it's cliche going in. Don't expect to surprise your audience with it. You don't have to write something that the audience has never read, you don't even have to make them think that they've never read it before. Your job as the writer is simply to make them not care that they've heard it before because your work is so entertaining. I didn't come up with this myself. I got it from a fellow writer, who got it from someone else. I'm not that smart.
Secondly: if you can, point out the cliches. This can be expanded to an even better principle: have a mediator character. SO many movies and TV shows these days lose audiences because there's no one for the audience to truly relate to. No one is saying what the audience is saying, and they can't find someone who feels exactly what they feel. There's no emotional connection to these characters, and as such the audience has no reason to stick around. Now, pulling it back to what I was originally saying, have your mediator character point out the cliches. Yes, there is nothing wrong with using cliches. But if your audience can say mid-sentence: "That's such a cliche!" then you should probably have on of your characters be able to say it too. Unless it's a terribly stressful scene, but you have to be careful. If the audience knows where it's going, then their tension will already be decreased. It's a fine line, and I don't know everything there is to know about it.
Third, (and last): put your own twist on it. If you're writing a cliche, then you might end up boring yourself. Throw something random in that you didn't see coming. Remember: second drafts are when you go back through and make all the random, crazy out-of-nowhere stuff have some degree of foreshadowing. Have fun with it! Your audience your first time round is yourself. Remember: "The first draft is just you telling yourself the story." (Terry Prachett.) It's from a pin I found on Pinterest, I honestly have no idea who this person is. Still, it's a good thing to keep in mind. So, have fun writing!
Alright, would you as my audience like for me to write more advice based upon the advice of my fellow writers in my community and the limited experience I have? And if there's something else you would like for me to write about, please let me know!
Scribe ergo quae vidiste vivere!
Friday, March 11, 2016
Shady Friday #20
Hello Bookworms!
Okay, so I'm working on a post that isn't a Shady Friday, but I managed to complete this recently, and I decided that I needed to post it. This is in my book TreasureHood, and for me it is inspired by people who have betrayed me. In relation to the book it is inspired by a love interest who betrayed a main character, but it can be applicable to just about anyone. Okay, so maybe I listened to a few too many country breakup songs while writing this one. (Oops!) It's called I should have seen you coming. Enjoy!
~
It was there, before my eyes,
Should have seen through all your lies.
Trusting men will never pay,
But I looked the other way.
Said you'd stay through all your days,
Now I guess I've learned your ways,
I should have seen you coming.
You were there when I fell down,
Without you I thought I'd drown.
Raised me up when I was weak,
I was bold but now I'm meek.
I know better than to trust,
Empty lies will turn to rust.
I should have seen you coming.
You had me kept on a shelf,
Now I'm running from myself.
Hiding from the pain I see,
Now I live in agony.
Still I cannot help but hope,
You had stayed to help me cope.
I wish I saw you coming.
~
Okay, thoughts? I'm not really sure what type of tune to use, but that's not going to have much to do with the story. Any suggestions for what I should post about next? If not, I do have a few ideas that I'm working on. NON Shady Fridays. Anyway, I hope to be posting soon!
Scribe ergo quae vidiste vivere!
Okay, so I'm working on a post that isn't a Shady Friday, but I managed to complete this recently, and I decided that I needed to post it. This is in my book TreasureHood, and for me it is inspired by people who have betrayed me. In relation to the book it is inspired by a love interest who betrayed a main character, but it can be applicable to just about anyone. Okay, so maybe I listened to a few too many country breakup songs while writing this one. (Oops!) It's called I should have seen you coming. Enjoy!
~
It was there, before my eyes,
Should have seen through all your lies.
Trusting men will never pay,
But I looked the other way.
Said you'd stay through all your days,
Now I guess I've learned your ways,
I should have seen you coming.
You were there when I fell down,
Without you I thought I'd drown.
Raised me up when I was weak,
I was bold but now I'm meek.
I know better than to trust,
Empty lies will turn to rust.
I should have seen you coming.
You had me kept on a shelf,
Now I'm running from myself.
Hiding from the pain I see,
Now I live in agony.
Still I cannot help but hope,
You had stayed to help me cope.
I wish I saw you coming.
~
Okay, thoughts? I'm not really sure what type of tune to use, but that's not going to have much to do with the story. Any suggestions for what I should post about next? If not, I do have a few ideas that I'm working on. NON Shady Fridays. Anyway, I hope to be posting soon!
Scribe ergo quae vidiste vivere!
Friday, February 5, 2016
Shady Friday #19
Hello Bookworms!
Wow! I finished my first short story! OK, for those of you wondering, I looked at the premise of Shady Friday #6, and erased that paragraph, and turned the whole thing into a short story. Warning: it's rather dark. My muse woke up, and she didn't want to be cute, at all. So, mildly dark short story ahead! Anyway, please read! I hope you enjoy it! (Oh, and I really don't know anything about how diseases work, so I have no idea if what I wrote is scientifically accurate!)
~
Wow! I finished my first short story! OK, for those of you wondering, I looked at the premise of Shady Friday #6, and erased that paragraph, and turned the whole thing into a short story. Warning: it's rather dark. My muse woke up, and she didn't want to be cute, at all. So, mildly dark short story ahead! Anyway, please read! I hope you enjoy it! (Oh, and I really don't know anything about how diseases work, so I have no idea if what I wrote is scientifically accurate!)
~
Veloces
Mortem.
The lights were on in the hallway were Kyra was
hiding. It was the first thing she heard. It’s funny how the brain works when
it’s panicking, isn’t it? Instead of seeing the lights, she heard them. Their
phosphorescent hum was about all she had heard since the stampede of people had
rushed out of the building 15 minutes ago. She had hidden, instead of running
with them. She wasn’t a fast runner, and knew better than to get caught up in a
stampede where she might get crushed underfoot. She had instead elected to
hide, and wait until everyone had left. She would have left at that point
herself, except she had to find Carol. She walked carefully through the
hallway, trying not to make any sound that might disturb whatever had scared
all those people.
“It would be a moose again, wouldn’t it?” She muttered
under her breath. “Last time a moose got loose in the hospital they wanted to
declare a national emergency.” She kept walking, making her way to the lounge
outside of the room where they kept the coma patients. “And of course, it’s
during a crisis I would forget the name of where she works.” She came to the
doorway of the lounge, and stopped. The lights in the ceiling of the lounge
weren’t on, the lounge had windows and the sun was up. Still, it wasn’t the
lights that had made her stop. It was the scared man standing there, with a gun
to Carol’s head. He noticed Kyra standing in the doorway, and grabbed Carol’s
arm, pulling her closer to him, still with the gun to her head.
“Who are you?” He asked, obviously panicking. Kyra
tried to analyze him from what little she knew about psychology, but she
couldn’t come up with much. She had mostly been studying what choices people
made with their personal appearance, and that wasn’t helpful. He had Brown hair,
Brown eyes, a scowl, and was wearing a hospital gown. Of course, he was a coma
patient. She recognized him. He was their resident John Doe. Apparently he had
woken up and stolen a gun from an individual in their understaffed military
guard. Unfortunately, his stance told her that he knew exactly how to use it.
“I’m Kyra Wall, I’m 15 and a freshman in high school.
And you know that girl you’re holding at gun point? She’s Carol Wall, she’s 13,
and about to go out to her first dance. She’s really nervous about dancing,
she’s not very good on her feet and wants to make a good impression on the
friend who invited her to the dance. She’s my little sister. We don’t want to
hurt you, so why don’t you explain this to us?”
He laughed, the fear evident in his voice. “Explain?
Oh I get it, that’s one of your techniques. To get me to talk. That won’t
happen, I know how to keep secrets. I won’t talk! You can’t make me!” His voice was nearly cracking. His grip on the gun
tightened, and a tear fell from Carol’s eye. It took all of Kyra’s composure
not to run forward and punch the brown-haired jerk in the face for making her
sister cry, but she composed herself, taking a deep breath and forcing her
shoulders back into a neutral posture. She continued talking in a calming
voice, the one she had used with the nursery children who wouldn’t stop crying.
“Alright, you’ve had training? Well I can’t help but
notice you seem scared.” Kyra inquired.
He grit his
teeth at her. “That’s because I’m dying thanks to your sister!” he spat out.
“It was an accident!” Carol cried. His hold tightened
and she bit her lip, trying not to talk again. Kyra took a small step forward.
“Is it alright if I hear this? I don’t know what
happened. Please, I want to hear her side.” He thought about it for a minute,
then nodded.
“I didn’t know it was the disease! Honestly!” She
sobbed out, tears streaming down her face. “I thought it was a sedative! I
would have checked, but he was acting wild and I didn’t know what to do! I
swear, I would never put someone in danger like that on purpose! You know me,
I-“
“That’s enough, you’ve told your side,” he was calming
down a little, but Kyra was still on edge around him. “I don’t care if I die, I
won’t reveal information about my country.”
“No one’s asking you to. I just want my sister back.
Can I ask her a few questions?” He tensed, clearly against the idea, but again
he nodded. His tight on Carol was tight though, not willing to risk her
escaping.
“Carol? What was the disease?” Carol was nearly in
hysterics. “Carol, take a few breaths. In, hold, out, repeat. Now tell me, what
was the disease?”
“V-veloces mortem. It’s an experimental disease they
were working on.”
Kyra thought for a moment, then shook her head slowly.
“I don’t remember you talking about that
at home. Is there a cure?”
Carol nodded. “It’s outside, the guards have it. They
took it with them.”
A thought
struck Kyra, and suddenly there was something else to worry about.
“Carol, how was this disease transmitted?”
Carol thought for a moment. “Um…It was airborne, I
think.” Her breath sped up. “Kyra, are we safe? Will we get sick too?”
The man seemed to be in a state of shock. “Oh no. What
have I done?” He breathed out. It seemed like he was talking to himself, so
Kyra focused on her sister.
“We’ll be fine, okay? We won’t get sick.” The man shook his head, and lowered his
weapon, letting Carol go.
“No, you won’t get sick, you’re sick already. What have I done?” It took all of Kyra’s self
control not to rush to her sister, but she pulled herself back reminding
herself that the man was still armed and sudden moves were a bad idea. Still,
she walked as quickly as she could to her sister and pulled her into a tight
hug. She had never noticed until then how much taller than her Carol was
becoming, or how her hair smelled of lavender. Or maybe it was the disease, affecting
her senses.
“Carol?” She asked calmly, though tears were forming
in her voice. “What are the symptoms?”
“I…..I don’t know. Okay? I don’t know!” Carol was
growing angry, but it seemed to be with herself. “I wasn’t in charge of this!
I’m an assistant in the coma ward,
for crying out loud! I don’t get involved in the military side of things! I’m
just supposed to be doing this for service club! All I know is what it’s
called, that it’s airborne, and it takes an hour. Okay?” She fell to her knees,
sobbing. “This is all my fault…” She whimpered.
Kyra nodded again. “Okay, it takes an hour to kill
people? How long since we were infected?”
“43 Minutes.” The man spoke up from the corner. He was
still holding the gun, but it was held loosely in his hand. They would all die
soon anyway, there was no point in shooting anyone now.
“Thank you. 43 minutes? That gives us 17 minutes left.
If we head out those doors, we can get to the cure, right?” He looked down. He
was calm now, as if somehow resigned to his fate.
“You have 17. We have less. You were probably infected
when the stampede of people came running through. That was 43 minutes ago. I
was injected 7 minutes before that, and she was infected within moments of it.
We have less than 10 minutes left. If you want to make a run for the cure, go
ahead. It should take you three minutes to get out of the building, but if
you’re fast you can make it in two. That would give you about 30 seconds to get
the cure in you before you’re too far gone.”
She stood,
shocked. “What?” She managed to gasp out.
“And with that time lapse, you’ve passed the
opportunity.” Kyra shook her head, not wanting to believe it, so he elaborated.
“Diseases have a point of no return, understand? With a disease with such a
short incubation period, the point of no return is about 15 minutes before
death. Your sister and I are past that point, so a cure wouldn’t help us.
You’re about one minute away from that mark yourself, and you can’t get to the
cure in that time frame. We’re too far inside the building.”
“H-how…” She stammered.
“How do I know? “ He sighed. “I was in the military.
Fighting your country, actually, but politics doesn’t really matter right now. I
was in a special branch, dedicated to fighting biological warfare.”
Kyra nodded. “You were an army doctor.”
He nodded, as if just accepting it himself. “To put it
simply.” She was silent for a moment, Carol’s hysterics having calmed down.
“What is your name?” she asked. He smiled at her.
“Colin. Colin Masson. Don’t you have any family you
want to say goodbye to? I’m sure there’s a phone in the nurse’s office you
could use.”
She shook her head, then decided to explain. “Actually,
I don’t let people know this, but we’re orphans. Our parents died a few years
back.”
“Don’t people notice? What if you get a report card?
How do you live without parents?”
“I stay under the radar. I don’t get excellent grades,
but I never get awful ones either. And as for funding, our parents left us an
inheritance. Not much, but enough to live on.” She glanced at Carol, who had
fallen asleep due to her hysterics. “At least she’ll be asleep for it.” She sat
down with her back against the wall, silent for a few minutes. “How much longer
do we have?”
“I’ve got about 4 minutes. You’ve still got 11.” She
sighed, leaning her head against the wall.
“What about you? Any family or friends?” He shook his
head. “My family’s dead, and my friends were all soldiers in the war. Those who
survived have probably assumed me dead. Do you have any idea how long I’ve been
gone for?” She shook her head.
“All I know is that you were in a coma when we came
here, and that was a few years back.” She thought for a moment. “What war did
you fight in?”
“The American-Canadian war,” He replied.
She stood up.
“But that wasn’t a war, it was two battles! It was decided when a Cornel, Cornel
Mason-“ She stopped short. “You. It
stopped when you won us the battle.”
He stood straight up.
“I won you the
battle? We’re on the same side?” She nodded.
“You were a war hero. No one knew what happened to you
after the battle. All this time, you were here: a tiny hospital in the middle
of nowhere.” He smiled at her, shaking his head.
“All this time, I was fighting a war that I’d already
won. I really am an idiot….” He collapsed to the ground. She was at his side in
a moment.
“Are you ok?” She asked. He snorted.
“I’ve got 45 seconds left.” She took a shaky breath.
“How do you feel?” She asked, tears finally staining
her face.
“Weak, but other than that I’m fine. I’m joining my
comrades. I’m going home.” She smiled at him, and his eyes lost their focus.
She caught her breath. She hadn’t seen someone die since her parents had passed
away three years back. She closed his eyes, and moved back over to her sister.
She didn’t want to check if she was dead yet or not, She had to be, but she
could pretend otherwise. She sighed, laying down next to her sister. She closed
her eyes, waiting for the end.
Less than half an hour later a tactical team made its
way into the hospital, checking to see if anyone was alive. They had cleared
the surrounding area, and were kitted out in biohazard suits. They made their
way to the main lobby, and looked around. There were three bodies lying on the
ground. The men looked at each other. The assignment had only mentioned two.
“Anyone alive?” the leader called. A few moments later
a voice called over to him
“It looks like patient zero made it, but not the other
two.” There was silence, then the leader called again:
“Arrange for funerals for the other two. But bring
patient zero outside. Get the ambulance.”
Once outside, they checked for infection, then the
leader took off his helmet.
“As suspected, patient zero shows no sign of
infection. We’re safe.” The rest of the team took off their helmets, and
proceeded to take off the rest of their biohazard suits. One of the younger
soldiers, the one who Colin had taken the gun from, came up to the leader.
“Sir, what should we do with the building once the
bodies are removed? Is it safe? Or should we burn the whole thing down?” The
leader shook his head.
“It’s not safe, but burning it down would just make
this thing spread. No. We need to quarantine the building, and check back every
few years to see if it’s safe yet.” He glanced over at the ambulance. “It looks
like patient zero is coming around. You can let her friends through, she’s
safe.” The soldier was about to leave, when the leader spoke again. “Oh, and
don’t mention how she survived. It’s probably best that they don’t know that
she’s immune because we were developing the virus from her to begin with.” The
soldier nodded, then ran off to let the people through.
“Carol, Carol!” called Kyra’s friend Earl as he ran
up. She looked around confused.
“Earl, I don’t understand, what happened?”
“I don’t know. Are you ok?” She nodded shakily.
“I’m fine but…Kyra, she’s…..” She broke down in tears,
and Earl hugged her tightly.
“I’m so sorry for you.” He muttered, wondering how any
of this could have happened.
~
OK, that was rather long. What did you think? Do you want me to write another short story? Was this one too dark? Oh, and thank you to my friend who helped me edit this! That really meant a lot! Anyway, I'll try to keep up with blogging!
Scribe ergo quae vidisti vivere!
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